James Groves
Apr 3, 2005, 09:57 am
<a href="http://www.comixfan.com/xfan/images/covers/dh/SCThatYellowBastard.jpg" target="_blank"><img src="http://www.comixfan.com/xfan/images/covers/dh/SCThatYellowBastardt.jpg" hspace=10 align=left alt="Sin City: That Yellow Bastard"></a>Reviewer: James Groves, JamesandtheDragon@hotmail.com
"Clever girl. And so pretty. A little old, for my taste--
--but I can forgive that, this once."
Written and Illustrated by: Frank Miller
"I've seen his victims and their twisted little faces, all wide mouthed and bug-eyed, frozen in their last horrible moment of living, not a trace of tape, not a fiber from a gag on their lips. Junior likes to hear them scream"
<a href="http://www.comixfan.com/xfan/images/covers/dh/SCTYBHartigan.jpg" target="_blank"><img src="http://www.comixfan.com/xfan/images/covers/dh/SCTYBHartigant.jpg" hspace=10 align=right alt="Sin City: That Yellow Bastard"></a> Frank Miller returns to the familiar surroundings of Basin City in this fourth instalment of the Sin City franchise, That Yellow Bastard. Miller utilises familiar thematic elements, familiar storyline structures and familiar (If you've read The Babe Wore Red) uses of color, to produce--arguably--the last of the truly great books within the Sin City line-up. Whilst A Big Fat Kill, A Dame to Kill For, and The Hard Goodbye are the three books which really stand out within the form, Miller's That Yellow Bastard provides enough moments of classic pulp noir, enough scenes involving violence, erotica, and dark humour, and enough effective uses of color within the black-and-white format, to make this graphic novel stick out as an excellent and unique piece of pulp fiction in its own right. And if that's not enough to get your juices flowing, then there's also the strange pseudo-relationship between an old cop called John Hartigan and a beautiful girl called Nancy Callahan--the girl he tries to save from the clutches of a paedophile.
<a href="http://www.comixfan.com/xfan/images/covers/dh/SCTYBNancy.jpg" target="_blank"><img src="http://www.comixfan.com/xfan/images/covers/dh/SCTYBNancyt.jpg" hspace=10 align=left alt="Sin City: That Yellow Bastard"></a> That Yellow Bastard is an over-the-top adventure where the pace is hectic and the setups come thick and fast. Miller revolves the storyline around Hartigan: a stereotypical cop with old school sensibilities--and pretty handy with a wrench when it comes to the bad-guys too. On the last day of his job, Hartigan's thinking of retirement. But just as he's about to call it a day, he gets one last call about an 11 year-old girl who has been kidnapped by a psychotic madman. Hartigan then starts a journey to find the girl, save her, and finally stop the man responsible for this crime and the countless others he has been involved in previously. However, his pursuit leads him deeper into the bowels of corruption, as he discovers the dark and dirty secrets of Sin City and the evil families who reside within her streets. Along the way, Hartigan finds himself framed for a crime he didn’t commit and punished severely for doing the right thing by Nancy. Hartigan is the hero of Sin City, or at least, as heroic as a character can be in a broken world of grey, hazy standards.
<a href="http://www.comixfan.com/xfan/images/covers/dh/SCTYBYellowBastard.jpg" target="_blank"><img src="http://www.comixfan.com/xfan/images/covers/dh/SCTYBYellowBastardt.jpg" hspace=10 align=right alt="Sin City: That Yellow Bastard"></a> That Yellow Bastard connects to the previous books within the Sin City saga too, as we see appearances from other characters from A Dame to Kill For. This gives us a nice sense of continuity and broadens the scope with which Miller is treating the Sin City franchise. This isn't just one story on its own; this is just another part of a much bigger story, where each piece interlocks to give us a bigger perspective of Basin City. The story is also connected to previous books in terms of narrative structure too. Repetition of keywords--which then alter slightly as we get deeper within the book--act as a constant reminder of the character's mental state and what drives them forward within the storyline.
That Yellow Bastard is a story that is driven by love, by passion, by longing and the strength one can gain from such raw emotions. This core element within the script, grounds the storyline into something less surreal and more relatable to the reader. The Yellow Bastard himself though, is a little weak as a central villain. The main reason being, that although we get a strong impression that he's nuts, perverted, dangerous and completely deranged; he's not really that frightening a character. We don't get into his psyche enough to really see him as an intimidating villain.
<a href="http://www.comixfan.com/xfan/images/previews/dh/0205/SinCityThatYellowBastard_TPB.jpg" target="_blank"><img src="http://www.comixfan.com/xfan/images/previews/dh/0205/SinCityThatYellowBastard_TPBt.jpg" hspace=10 align=left alt="Sin City: That Yellow Bastard"></a> Miller's artwork is, again, stunning. The stark, black-and-white artwork is beautiful to look at, and Miller uses perspective skilfully again within this book, as we see a first person perspective viewpoint from Hartigan as he looks on silently at the people who visit him as he is recovering in hospital. The use of one color--yellow--works extremely well with the central villain. His grotesque, potbellied appearance and bulbous headed features are emphasised with a sickly yellow color and it works a treat in portraying the character as the twisted, vile creature that he is.
That Yellow Bastard is probably not the best of the four great books within the Sin City series, but on its own, it's still an excellent and thoroughly enjoyable read.
"I take his weapons away from him--
--Both of them."
ART:
http://www.comixfan.com/xfan/images/reviews/dhfull.jpg http://www.comixfan.com/xfan/images/reviews/dhfull.jpg http://www.comixfan.com/xfan/images/reviews/dhfull.jpg http://www.comixfan.com/xfan/images/reviews/dhfull.jpg http://www.comixfan.com/xfan/images/reviews/dhfull.jpg
STORY:
http://www.comixfan.com/xfan/images/reviews/dhfull.jpg http://www.comixfan.com/xfan/images/reviews/dhfull.jpg http://www.comixfan.com/xfan/images/reviews/dhfull.jpg http://www.comixfan.com/xfan/images/reviews/dhfull.jpg http://www.comixfan.com/xfan/images/reviews/dhhalf.jpg
OVERALL:
http://www.comixfan.com/xfan/images/reviews/dhfull.jpg http://www.comixfan.com/xfan/images/reviews/dhfull.jpg http://www.comixfan.com/xfan/images/reviews/dhfull.jpg http://www.comixfan.com/xfan/images/reviews/dhfull.jpg http://www.comixfan.com/xfan/images/reviews/dhhalf.jpg
Read more Sin City reviews! (http://www.comixfan.com/xfan/forums/showthread.php?t=32936)
"Clever girl. And so pretty. A little old, for my taste--
--but I can forgive that, this once."
Written and Illustrated by: Frank Miller
"I've seen his victims and their twisted little faces, all wide mouthed and bug-eyed, frozen in their last horrible moment of living, not a trace of tape, not a fiber from a gag on their lips. Junior likes to hear them scream"
<a href="http://www.comixfan.com/xfan/images/covers/dh/SCTYBHartigan.jpg" target="_blank"><img src="http://www.comixfan.com/xfan/images/covers/dh/SCTYBHartigant.jpg" hspace=10 align=right alt="Sin City: That Yellow Bastard"></a> Frank Miller returns to the familiar surroundings of Basin City in this fourth instalment of the Sin City franchise, That Yellow Bastard. Miller utilises familiar thematic elements, familiar storyline structures and familiar (If you've read The Babe Wore Red) uses of color, to produce--arguably--the last of the truly great books within the Sin City line-up. Whilst A Big Fat Kill, A Dame to Kill For, and The Hard Goodbye are the three books which really stand out within the form, Miller's That Yellow Bastard provides enough moments of classic pulp noir, enough scenes involving violence, erotica, and dark humour, and enough effective uses of color within the black-and-white format, to make this graphic novel stick out as an excellent and unique piece of pulp fiction in its own right. And if that's not enough to get your juices flowing, then there's also the strange pseudo-relationship between an old cop called John Hartigan and a beautiful girl called Nancy Callahan--the girl he tries to save from the clutches of a paedophile.
<a href="http://www.comixfan.com/xfan/images/covers/dh/SCTYBNancy.jpg" target="_blank"><img src="http://www.comixfan.com/xfan/images/covers/dh/SCTYBNancyt.jpg" hspace=10 align=left alt="Sin City: That Yellow Bastard"></a> That Yellow Bastard is an over-the-top adventure where the pace is hectic and the setups come thick and fast. Miller revolves the storyline around Hartigan: a stereotypical cop with old school sensibilities--and pretty handy with a wrench when it comes to the bad-guys too. On the last day of his job, Hartigan's thinking of retirement. But just as he's about to call it a day, he gets one last call about an 11 year-old girl who has been kidnapped by a psychotic madman. Hartigan then starts a journey to find the girl, save her, and finally stop the man responsible for this crime and the countless others he has been involved in previously. However, his pursuit leads him deeper into the bowels of corruption, as he discovers the dark and dirty secrets of Sin City and the evil families who reside within her streets. Along the way, Hartigan finds himself framed for a crime he didn’t commit and punished severely for doing the right thing by Nancy. Hartigan is the hero of Sin City, or at least, as heroic as a character can be in a broken world of grey, hazy standards.
<a href="http://www.comixfan.com/xfan/images/covers/dh/SCTYBYellowBastard.jpg" target="_blank"><img src="http://www.comixfan.com/xfan/images/covers/dh/SCTYBYellowBastardt.jpg" hspace=10 align=right alt="Sin City: That Yellow Bastard"></a> That Yellow Bastard connects to the previous books within the Sin City saga too, as we see appearances from other characters from A Dame to Kill For. This gives us a nice sense of continuity and broadens the scope with which Miller is treating the Sin City franchise. This isn't just one story on its own; this is just another part of a much bigger story, where each piece interlocks to give us a bigger perspective of Basin City. The story is also connected to previous books in terms of narrative structure too. Repetition of keywords--which then alter slightly as we get deeper within the book--act as a constant reminder of the character's mental state and what drives them forward within the storyline.
That Yellow Bastard is a story that is driven by love, by passion, by longing and the strength one can gain from such raw emotions. This core element within the script, grounds the storyline into something less surreal and more relatable to the reader. The Yellow Bastard himself though, is a little weak as a central villain. The main reason being, that although we get a strong impression that he's nuts, perverted, dangerous and completely deranged; he's not really that frightening a character. We don't get into his psyche enough to really see him as an intimidating villain.
<a href="http://www.comixfan.com/xfan/images/previews/dh/0205/SinCityThatYellowBastard_TPB.jpg" target="_blank"><img src="http://www.comixfan.com/xfan/images/previews/dh/0205/SinCityThatYellowBastard_TPBt.jpg" hspace=10 align=left alt="Sin City: That Yellow Bastard"></a> Miller's artwork is, again, stunning. The stark, black-and-white artwork is beautiful to look at, and Miller uses perspective skilfully again within this book, as we see a first person perspective viewpoint from Hartigan as he looks on silently at the people who visit him as he is recovering in hospital. The use of one color--yellow--works extremely well with the central villain. His grotesque, potbellied appearance and bulbous headed features are emphasised with a sickly yellow color and it works a treat in portraying the character as the twisted, vile creature that he is.
That Yellow Bastard is probably not the best of the four great books within the Sin City series, but on its own, it's still an excellent and thoroughly enjoyable read.
"I take his weapons away from him--
--Both of them."
ART:
http://www.comixfan.com/xfan/images/reviews/dhfull.jpg http://www.comixfan.com/xfan/images/reviews/dhfull.jpg http://www.comixfan.com/xfan/images/reviews/dhfull.jpg http://www.comixfan.com/xfan/images/reviews/dhfull.jpg http://www.comixfan.com/xfan/images/reviews/dhfull.jpg
STORY:
http://www.comixfan.com/xfan/images/reviews/dhfull.jpg http://www.comixfan.com/xfan/images/reviews/dhfull.jpg http://www.comixfan.com/xfan/images/reviews/dhfull.jpg http://www.comixfan.com/xfan/images/reviews/dhfull.jpg http://www.comixfan.com/xfan/images/reviews/dhhalf.jpg
OVERALL:
http://www.comixfan.com/xfan/images/reviews/dhfull.jpg http://www.comixfan.com/xfan/images/reviews/dhfull.jpg http://www.comixfan.com/xfan/images/reviews/dhfull.jpg http://www.comixfan.com/xfan/images/reviews/dhfull.jpg http://www.comixfan.com/xfan/images/reviews/dhhalf.jpg
Read more Sin City reviews! (http://www.comixfan.com/xfan/forums/showthread.php?t=32936)