Ryan Day
Mar 4, 2004, 10:47 pm
<a href="http://www.comixfan.com/xfan/images/previews/dc/0304/SwampThingCVR1.jpg" target="_blank"><img src="http://www.comixfan.com/xfan/images/previews/dc/0304/SwampThingCVR1t.jpg" align=left alt="Swamp Thing #1"></a>Reviewer: Ryan Day Dreamhunter00@hotmail.com
Quick rating: Great
Story Title: Bad Seed
Suggested for Mature Readers
The monster returns, along with John Constantine and a walking corpse
Writer: Andy Diggle
Artist: Enrique Breccia
Colorist: Martin Breccia
Letterer: Nick Napolitano
Assistant Editor: Casey Seijas
Editor: Will Dennis
Swamp Thing is a book with a lot of history.
Not just the usual continuity history, though there’s certainly no shortage of that. We’re talking real, genuine, industry-changing history. It’s where Alan Moore began to turn himself into an industry superstar. It featured early work by Neil Gaiman, and the introduction of soon-to-be movie star John Constantine. And most importantly, it was the first book from a major publisher to go without the approval of the Comics Code on a regular basis, paving the way for DC’s Vertigo imprint.
But as with most history, it’s all in the past. Since the glory days, the series was cancelled, re-started, then quickly cancelled again. The main character has changed many times, going from a scientist turned into a monster to a plant that thought it was a scientist to a monster that had nothing to do with being a scientist. First he was a plant elemental, then a being that embodied all the elements. The creature has a wife, Abby, and a daughter, Tefé, and a bunch of stories that few people read and fewer cared about.
And so it falls to writer Andy Diggle (The Losers) to resuscitate the character again. This puts him in fairly good company, as Alan Moore was only given the book (which was, in fact, Swamp Thing’s second series) because it was on the verge of cancellation. Mind you, it also puts him in company with Brian K. Vaughan, whose 2000 re-launch lasted only 20 issues and received mixed reviews, though he's certainly moved on to bigger and better things.
Diggle’s mandate is, in part, to trim the weeds surrounding the character, and he’s got to do so in a way that leaves the issue accessible to new readers who don’t know a thing about the character. How he fares on the former will be determined over the next few issues, but he’s off to a decent start on the latter. Much of the character’s history is explained by the guest narrator, John Constantine, and the identities of key characters Abby and Tefe are established either explicitly or implicitly. My own familiarity of the character is mostly second-hand -- I've read more about Moore's run on the book than I've actually read of it -- and I didn't have problems following what was going on. The reader is left with general grasp of what’s going on, if not a lot of in-depth knowledge.
All the recapping leaves relatively little room for story development. John Constantine has travelled to the Louisiana Bayou in search of a corpse. The Swamp Thing has been separated from his human side (“It was a whole world saving thing.”), which could pose a few problems. Constantine’s solution is to call back the soul of Alec Holland, the former human half of the monster, with hopes of merging the two again. Meanwhile, Abby has gone away on a mountain climbing expedition, while Tefe has returned to the swamp only to hear a surprising warning.
None of it’s mind-blowing, but neither is it filler. Diggle has done as well as one can do when trying to recap years of bizarre and muddled history, and as readers of The Losers should know, one of his strengths lies in the style and pizzazz he brings to a script. He writes a great Constantine, and it wouldn’t be a shock to see him on Hellblazer when Mike Carey’s run ends. He’s introduced some ideas that have interesting potential, as well as establishing a dark, creepy mood for the book. He hasn’t made the story completely inaccessible for those new to Swamp Thing, but neither is the continuity impenetrable.
If the story is unspectacular, the artwork more than makes up for it. Enrique Breccia’s work is simply dazzling at times, creating a lush, detailed and occasionally horrific environment. The walking remains of Alec Holland are a sight to behold and will stay in your mind long after you’ve put the book down; it’s ghastly, but at the same time very human and pitiable. Breccia’s visuals help this book earn its credentials as a true horror comic book, and it was an excellent decision for DC to provide the book with higher quality paper (and at no extra cost). He tells the story with stylish, cinematic flair; the development in Abby’s expedition is breathtaking, and wouldn’t be out of place in a Steven Spielberg movie. If there’s a weakness to the art, it’s in the human characters: Constantine’s forehead seems to expand occasionally, while Tefe’s appearance is inconsistent.
DC has spent more than 15 years trying to recapture the glory of Alan Moore’s run on Swamp Thing, with varying levels of success. Andy Diggle’s not Alan Moore, but being Andy Diggle’s not so bad, either. And with Enrique Breccia around, it’s a sure thing that whatever Diggle writes will end up looking pretty darned good. It’s a good start to a new book, laying the groundwork for a bigger story. With the creative talent on display here, the book earns the benefit of the doubt. It's not going to revolutionize the industry, but it really doesn't have to; all it needs to do is make you want to buy the next issue, and it succeeds at that.
ART:
http://www.comixfan.com/xfan/images/reviews/vfull.jpg http://www.comixfan.com/xfan/images/reviews/vfull.jpg http://www.comixfan.com/xfan/images/reviews/vfull.jpg http://www.comixfan.com/xfan/images/reviews/vfull.jpg http://www.comixfan.com/xfan/images/reviews/vhalf.jpg
STORY:
http://www.comixfan.com/xfan/images/reviews/vfull.jpg http://www.comixfan.com/xfan/images/reviews/vfull.jpg http://www.comixfan.com/xfan/images/reviews/vfull.jpg http://www.comixfan.com/xfan/images/reviews/vnone.jpg http://www.comixfan.com/xfan/images/reviews/vnone.jpg
OVERALL:
http://www.comixfan.com/xfan/images/reviews/vfull.jpg http://www.comixfan.com/xfan/images/reviews/vfull.jpg http://www.comixfan.com/xfan/images/reviews/vfull.jpg http://www.comixfan.com/xfan/images/reviews/vfull.jpg http://www.comixfan.com/xfan/images/reviews/vnone.jpg
Buy this issue online now from X-World and save! (http://x-worldcomics.com/yourvirtualstore/shopdisplayproducts.asp?id=1135&cat=SWAMP+THING)
Quick rating: Great
Story Title: Bad Seed
Suggested for Mature Readers
The monster returns, along with John Constantine and a walking corpse
Writer: Andy Diggle
Artist: Enrique Breccia
Colorist: Martin Breccia
Letterer: Nick Napolitano
Assistant Editor: Casey Seijas
Editor: Will Dennis
Swamp Thing is a book with a lot of history.
Not just the usual continuity history, though there’s certainly no shortage of that. We’re talking real, genuine, industry-changing history. It’s where Alan Moore began to turn himself into an industry superstar. It featured early work by Neil Gaiman, and the introduction of soon-to-be movie star John Constantine. And most importantly, it was the first book from a major publisher to go without the approval of the Comics Code on a regular basis, paving the way for DC’s Vertigo imprint.
But as with most history, it’s all in the past. Since the glory days, the series was cancelled, re-started, then quickly cancelled again. The main character has changed many times, going from a scientist turned into a monster to a plant that thought it was a scientist to a monster that had nothing to do with being a scientist. First he was a plant elemental, then a being that embodied all the elements. The creature has a wife, Abby, and a daughter, Tefé, and a bunch of stories that few people read and fewer cared about.
And so it falls to writer Andy Diggle (The Losers) to resuscitate the character again. This puts him in fairly good company, as Alan Moore was only given the book (which was, in fact, Swamp Thing’s second series) because it was on the verge of cancellation. Mind you, it also puts him in company with Brian K. Vaughan, whose 2000 re-launch lasted only 20 issues and received mixed reviews, though he's certainly moved on to bigger and better things.
Diggle’s mandate is, in part, to trim the weeds surrounding the character, and he’s got to do so in a way that leaves the issue accessible to new readers who don’t know a thing about the character. How he fares on the former will be determined over the next few issues, but he’s off to a decent start on the latter. Much of the character’s history is explained by the guest narrator, John Constantine, and the identities of key characters Abby and Tefe are established either explicitly or implicitly. My own familiarity of the character is mostly second-hand -- I've read more about Moore's run on the book than I've actually read of it -- and I didn't have problems following what was going on. The reader is left with general grasp of what’s going on, if not a lot of in-depth knowledge.
All the recapping leaves relatively little room for story development. John Constantine has travelled to the Louisiana Bayou in search of a corpse. The Swamp Thing has been separated from his human side (“It was a whole world saving thing.”), which could pose a few problems. Constantine’s solution is to call back the soul of Alec Holland, the former human half of the monster, with hopes of merging the two again. Meanwhile, Abby has gone away on a mountain climbing expedition, while Tefe has returned to the swamp only to hear a surprising warning.
None of it’s mind-blowing, but neither is it filler. Diggle has done as well as one can do when trying to recap years of bizarre and muddled history, and as readers of The Losers should know, one of his strengths lies in the style and pizzazz he brings to a script. He writes a great Constantine, and it wouldn’t be a shock to see him on Hellblazer when Mike Carey’s run ends. He’s introduced some ideas that have interesting potential, as well as establishing a dark, creepy mood for the book. He hasn’t made the story completely inaccessible for those new to Swamp Thing, but neither is the continuity impenetrable.
If the story is unspectacular, the artwork more than makes up for it. Enrique Breccia’s work is simply dazzling at times, creating a lush, detailed and occasionally horrific environment. The walking remains of Alec Holland are a sight to behold and will stay in your mind long after you’ve put the book down; it’s ghastly, but at the same time very human and pitiable. Breccia’s visuals help this book earn its credentials as a true horror comic book, and it was an excellent decision for DC to provide the book with higher quality paper (and at no extra cost). He tells the story with stylish, cinematic flair; the development in Abby’s expedition is breathtaking, and wouldn’t be out of place in a Steven Spielberg movie. If there’s a weakness to the art, it’s in the human characters: Constantine’s forehead seems to expand occasionally, while Tefe’s appearance is inconsistent.
DC has spent more than 15 years trying to recapture the glory of Alan Moore’s run on Swamp Thing, with varying levels of success. Andy Diggle’s not Alan Moore, but being Andy Diggle’s not so bad, either. And with Enrique Breccia around, it’s a sure thing that whatever Diggle writes will end up looking pretty darned good. It’s a good start to a new book, laying the groundwork for a bigger story. With the creative talent on display here, the book earns the benefit of the doubt. It's not going to revolutionize the industry, but it really doesn't have to; all it needs to do is make you want to buy the next issue, and it succeeds at that.
ART:
http://www.comixfan.com/xfan/images/reviews/vfull.jpg http://www.comixfan.com/xfan/images/reviews/vfull.jpg http://www.comixfan.com/xfan/images/reviews/vfull.jpg http://www.comixfan.com/xfan/images/reviews/vfull.jpg http://www.comixfan.com/xfan/images/reviews/vhalf.jpg
STORY:
http://www.comixfan.com/xfan/images/reviews/vfull.jpg http://www.comixfan.com/xfan/images/reviews/vfull.jpg http://www.comixfan.com/xfan/images/reviews/vfull.jpg http://www.comixfan.com/xfan/images/reviews/vnone.jpg http://www.comixfan.com/xfan/images/reviews/vnone.jpg
OVERALL:
http://www.comixfan.com/xfan/images/reviews/vfull.jpg http://www.comixfan.com/xfan/images/reviews/vfull.jpg http://www.comixfan.com/xfan/images/reviews/vfull.jpg http://www.comixfan.com/xfan/images/reviews/vfull.jpg http://www.comixfan.com/xfan/images/reviews/vnone.jpg
Buy this issue online now from X-World and save! (http://x-worldcomics.com/yourvirtualstore/shopdisplayproducts.asp?id=1135&cat=SWAMP+THING)